Local Poet and Performer, Pastiche Queen, Alleges Local Press Charged Fees and Failed to Follow Through on Publishing Agreement
Local poet and performer Pastiche Queen said The Los Angeles Press failed to communicate, didn’t deliver on contractual promises, and made them pay for costs publishers are supposed to cover, after agreeing to publish their chapbook “Trans Velociraptors.” Continue reading Local Poet and Performer, Pastiche Queen, Alleges Local Press Charged Fees and Failed to Follow Through on Publishing Agreement



Local press Jamii Publishing will release the Women Who Submit (WWS) anthology Accolades edited by Rachael Warecki and Tisha Marie Reichle-Aguilera. They will debut the book at the Association of Writers and Writing Programs Conference in San Antonio.
The Los Angeles Review of Books and Hauser & Wirth Publishers announced the panelists who will discuss literature, art and activism at LitLit, the Little Literary Fair, which will debut this weekend in L.A.’s Downtown Arts District. The city’s newest book festival, to be held at the Hauser & Wirth Los Angeles arts complex, will host four panels on July 20 and 21 as part of its programming, which will also include more than 20 exhibitors from L.A. and other cities on the West Coast.
As 2018 draws to a close, it’s been another year of publishing success for Los Ángeles writers and the Los Angeles literary community. As the months went by, writers published novels, essay collections, poetry collections, edited anthologies or announced their books had been accepted for publication in 2019 and even 2020. Congratulations to all these scribes and for penning important works. Some of these books, such as Erica Ayón’s Orange Lady, which recounts the author’s experience as an immigrant growing up in South Central Los Angeles, where her family sold oranges on the street in order to survive, and Lynell George’s essay collection After/Image: Los Angeles Outside the Frame, focused on Los Angeles beneath-the-surface, both the past and the here-and-now, explores who and what L.A. is from different personal lived experiences. Showing how the political is personal.
When Kima Jones, an independent publicist based in Los Angeles, agreed to help the poet Tyehimba Jess with his publicity campaign for his second collection, “Olio,” she knew it would be a breakout work.