Poetic Lenses: Our Fifteenth Annual Look at Debut Poetry

By Dana Isokawa
FROM: Poets & Writers

debut_poets_collageFor our fifteenth annual look at debut poetry, we chose ten poets whose first books struck us with their formal imagination, distinctive language, and deep attention to the world. The books, all published in 2019, inhabit a range of poetic modes. There is Keith S. Wilson’s reimagining of traditional forms in Fieldnotes on Ordinary Love, and Maya Phillips’s modern epic, Erou. There is Maya C. Popa’s lyric investigations in American Faith, Marwa Helal’s subversive documentary poems in Invasive species, and Yanyi’s series of prose poems in The Year of Blue Water. The ten collections clarify and play with all kinds of language—the language of the news, of love, of politics, of philosophy, of family, of place—and, as Popa says, they “slow and suspend the moment, allowing a more nuanced examination of what otherwise flows through us quickly.”

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Pocha and Proud: An Interview With Sarah Borjas

Brenda Delfino interviews Sara Borjas      FROM: LARB

20190415_224157Poems can be windows. They can also be doors. These are truths to prescribe to while reading Sara Borjas debut  poetry collection Heart Like a Window, Mouth Like a Cliff. A window can work as an enterence, can mirror the reflection of someone familiar. In her poem “Lies I Tell,” previously published by the Academy of America Poets, Borjas writes,

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