Contemporary Poetry Interview: Michelle Brittan Rosado in conversation with Genevieve Kaplan
FROM: Prism Review
Genevieve Kaplan: I met Michelle Brittan Rosado’s poems when she read from her just-released chapbook, Theory on Falling into a Reef (Anhinga Press, 2016), and I remember being so captivated by her work, which is precise, narrative, and moving as well as inventive and musical. Michelle’s poems tend to feel very located in our shared landscape of California, they make keen observations, and they speak to directly readers. When her full-length book, Why Can’t It Be Tenderness, was selected by Aimee Nezhukumatathil for the Felix Pollak Prize in Poetry and published by University of Wisconsin Press, of course I wanted to talk with her more about it! Happily, Michelle, the PR poetry judge this year, agreed to offer insights into her poetic process and attentions. Read on:
Born in San Francisco and raised in Vacaville, Michelle Brittan Rosado earned an MFA in Creative Writing from California State University, Fresno, and is currently a PhD candidate in Creative Writing & Literature at the University of Southern California. She is the author of Why Can’t It Be Tenderness, which won the Felix Pollak Prize in Poetry selected by Aimee Nezhukumatathil (University of Wisconsin Press, 2018). Her chapbook, Theory on Falling into a Reef, won the inaugural Rick Campbell Prize (Anhinga Press, 2016). Her poems have been published in the Alaska Quarterly Review, Indiana Review, Poet Lore, San Francisco Chronicle’s “State Lines” column, and The New Yorker, as well as several anthologies.
Los Angeles Literature 