Contemporary Poetry Interview: Michelle Brittan Rosado in conversation with Genevieve Kaplan

FROM: Prism Review

pr-22-cover-661x992Genevieve Kaplan: I met Michelle Brittan Rosado’s poems when she read from her just-released chapbook, Theory on Falling into a Reef (Anhinga Press, 2016), and I remember being so captivated by her work, which is precise, narrative, and moving as well as inventive and musical. Michelle’s poems tend to feel very located in our shared landscape of California, they make keen observations, and they speak to directly readers. When her full-length book, Why Can’t It Be Tenderness, was selected by Aimee Nezhukumatathil for the Felix Pollak Prize in Poetry and published by University of Wisconsin Press, of course I wanted to talk with her more about it! Happily, Michelle, the PR poetry judge this year, agreed to offer insights into her poetic process and attentions. Read on:

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Pocha and Proud: An Interview With Sarah Borjas

Brenda Delfino interviews Sara Borjas      FROM: LARB

20190415_224157Poems can be windows. They can also be doors. These are truths to prescribe to while reading Sara Borjas debut  poetry collection Heart Like a Window, Mouth Like a Cliff. A window can work as an enterence, can mirror the reflection of someone familiar. In her poem “Lies I Tell,” previously published by the Academy of America Poets, Borjas writes,

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