F. Douglas Brown on The Chill at Wills Podcast

by Brian Dunlap

F. Douglas Brown's newest interview on the podcast The Chill at Wills.

F. Douglas Brown is equally a poet and educator, teaching English and African American poetry at Loyola High School in Los Ángeles. He pushes his students to think critically about the themes and ideas found in the literature he assigns and how they relate to issues relevant to their lives. Brown has even created a Pedagogy of Protest Reading List that includes The Souls of Black Folks by W.E.B. Dubois, Playing in the Dark: Whiteness in the Literary Imagination by Toni Morrison and any of the Black Arts Movement poets like Amiri Baraka and Gwendolyn Brooks, to connect how literature is used to connect the personal with the political as seen in African American literature and in Black lives.

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Los Ángeles Writers Publish in 2018

41R0p7VEIAL._SX322_BO1,204,203,200_As 2018 draws to a close, it’s been another year of publishing success for Los Ángeles writers and the Los Angeles literary community. As the months went by, writers published novels, essay collections, poetry collections, edited anthologies or announced their books had been accepted for publication in 2019 and even 2020. Congratulations to all these scribes and for penning important works. Some of these books, such as Erica Ayón’s Orange Lady, which recounts the author’s experience as an immigrant growing up in South Central Los Angeles, where her family sold oranges on the street in order to survive, and Lynell George’s essay collection After/Image: Los Angeles Outside the Frame, focused on Los Angeles beneath-the-surface, both the past and the here-and-now, explores who and what L.A. is from different personal lived experiences. Showing how the political is personal.

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Douglass by Day / Douglass by Night: Reading F. Douglas Brown’s ICON

by Mike Corrao
From: Empty Mirror

icon-f-douglas-brown-cover

Icon is an ekphrasis of the place where personal and global histories coalesce. F. Douglas Brown examines the prominent images of those who have shaped his past. Harriet Tubman and Frederick Douglass (the poet’s namesake) take center stage. Prominent icons are transformed into art. They become walls, housing the projections of a reflective poet. Brown stands at the base of these beautiful panels (created by Jacob Lawrence back in the 1930s) and sees himself contained within them.

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