Words On The Streets: City Poet Steven Reigns
INTERVIEW BY KARINA WILSON
From litreactor.com

Poets were once central to public life. The Ancient Greeks and Romans regarded poetry as the best way to record epoch-making events, laud emperors or deities, and map the quests completed by heroes. Wherever a city fell or a conqueror rose, a poet observed from the sidelines and would, later, carve their account into cool clean lines of dactylic hexameter. Civilization, politics, and moral principles compressed into feet and couplets; history registered as art.
Somewhere along the line since, however, poetry’s civic status faded – perhaps in the palaces of Renaissance princes, who liked to control the flow of words through bestowing, and removing, private patronage? Poetry became a luxury, a privilege reserved for residents of ivory towers, far removed from everyday discourse, reserved for the most personal expression. But, thanks to initiatives like Poetry In Motion on transport systems it didn’t disappear from public spaces entirely.
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noir. That might sound overly niche, but it isn’t. Her





ut a week late in posting this. Last week it was announced by the Before Columbus Foundation that Los Angeles poet, Peter J. Harris, won an American Book Award for his book of personal essays, The Black Man of Happiness. He is a native of Southeast DC and an alumnus of Ballou High School and Howard University. He is also the author of Bless the Ashes, poetry (Tia Chucha Press). He has published his work in a wide variety of publications since the 1970s. Since 1992, he’s been a member of the Anansi Writers Workshop at the World Stage, in LA’s Leimert Park. Mike Sonksen at