Review: Natashia Deón’s ‘Grace,’ a Tale of Slavery, Its Ghosts and Legacy
By
From: The New York Times

With her debut novel, “Grace,” Natashia Deón has announced herself beautifully and distinctively. Her emotional range spans several octaves. She writes with her nerves, generating terrific suspense. And her style is so visual it plays tricks on the imagination — did I just watch that scene? Or did I read it?
Ms. Deón is not merely another new author to watch. She has delivered something whole, and to be reckoned with, right now.
“Grace” starts with a murder on a plantation in Faunsdale, Ala. After years of watching her mother submit to supervised, ritualized rape by a fellow slave — it’s her job to breed boys for future sale — 15-year-old Naomi skewers her master with a fire poker. He’d just come to their cabin to announce that Naomi’s sister, Hazel, would be taking their mother’s place. For too many years, their mother had given birth only to girls.
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The Steamer at Chevalier’s Bookstore
Saturday was unusually cold. It was supposed to be in the low to mid ’80s as high in Riverside. Instead when my parents and I arrived at the release party for Riverside City College’s literary magazine Muse, the sky was a blanket of gray and looked of rain.
From: 
The last two weeks have been busy in Los Angeles literature. Each of the last two weeks have been capped off by two major events: The 2nd annual Blk Girrrl Bookfair and the 5th annual Litfest Pasadena.