Los Angeles Poets and the Temper of Our Times
by Luis J. Rodriguez
From: LAPL BLOG

Let us dare haunting verse of the oppressed,
poems with hoodies, finger-tapping, ambling.
I mean pissed off and ardently expressed,
poems delirious as midnight rambling.
Bebop, Hip Hop, a decima or slam,
metered lyrics, free shaped texts… no matter,
bring out the fire, the punch, a resounding jam.
Let it ring far, a magnificent chatter.
Naming the nameless, voicing the unheard,
questioning the questions, swimming, splashing.
No expert strokes but damn if not expert word;
every line bleeding, grieving, pleading, slashing.
The power of poetry is its stance,
page or stage, electrifying or trance.
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It’s no secret that Literary Los Angeles is hotter than the Mojave. The following essay is a dispatch spotlighting a new bookstore and several recent books.
Saturday December 3, 2016 Wendy C. Ortiz will lead the 3rd installment in the WWS Fall Workshop Series: Public Notebook to Book. Ortiz is the author of two memoirs, Excavation(Future Tense Books, 2014) and Hollywood Notebook (Writ Large Press, 2015) and has her third book, Bruja, being release October 31, 2016 from Civil Coping Mechanisms.
From:
Concha Y Café Workshop at Junipero Serra Branch Library 
In Posada: Offerings of Refuge and Witness, author Xochitl-Julisa Bermejo takes us on a journey that begins with the story of her grandmother’s stolen “black lava” metate. The narrator in the poem is stitching together a past full of gaps. Like many of us, Bermejo is hungry for knowing the stories of those who came before her.
Join us for a public reading by Rodrigo Toscano, poet and author of Explosion Rocks Springfield. Raised in southern California, poet, playwright and labor activist Rodrigo Toscano’s experimental work often takes the form of conversation and physical movement that interrogates, and crosses borders: the border between poetic and political action, between the made thing and its making, between speech and theater, between languages, between social change and its provocation.
In honor of National Hispanic Heritage Month, the following is a celebration of Los Angeles’ rich Latino literary tradition. These are writers that have called El Pueblo de Nuestra Señora la Reina de los Ángeles del Río de Porciúncula home. They have explored its streets from Pacoima to, East L.A., to Commerce, to El Monte and Hollywood and Pershing Square. These writers usually write about a Los Angeles completely alien to Hollywood, the movie industry, to the famous neighborhoods like Brentwood, Bel Air, The Hollywood Hills, etc., the famous L.A. landmarks (Hollywood sign, Venice Beach, Pinks Hot Dogs, celebrity sightings, etc.) and capture the everyday of working class Latinos/as living in the Barrios. Away from depictions of cholos and cholas, gang violence and “illegals.” As the seminal anthology of contemporary Latino/a Southern California literature says: “Spanning sixty years…brings to life [a] complex and diverse group of people who are the Latino denizens of Los Angeles…young and old, gay and straight, rich and poor, the newly arrived and the well established.” The following authors speak to this breadth of experience proving they are not a monolith, stories that are often hidden in plain sight amidst the famous Los Angeles stereotypes of Hollywood, reinvention, dreams deferred, paradise etc. that proliferate around the world.
The poet laureate of Los Angeles had just taken a seat at a Pacoima cafe when he was approached by two young men.