Naomi Hirahara’s Los Angeles

By Mike Sonksen
From: Los Angeles Review of Books

phpThumb_generated_thumbnailEditor’s note: Naomi Hirahara has been a pillar of the mystery community since she published her first Mas Arai novel in 2004. To commemorate her final Mas novel, I asked Mike Sonksen, a.k.a. Mike the Poet, bard and historian of contemporary Los Angeles, to go on a walk with Naomi and write a profile that would do her justice. It was a huge task, but I believe he succeeded.

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NAOMI HIRAHARA IS one of the most prolific Los Angeles writers of the last few decades. Best known for her Edgar Award–winning seven-book Mas Arai crime novel series, she has also authored several nonfiction titles on Southern California Japanese-American history. Her newest Mas Arai mystery title and the final one of the series, Hiroshima Boy, was just published by Prospect Park Books in March 2018, and in April her latest nonfiction title, Life After Manzanar, was published by Heyday.

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Literary History: Poetic Research Bureau

bureau_pic2by Brian Dunlap

Located between commercial art galleries and tawdry Chinatown gift shops, the Poetic Research Bureau fosters a living room type atmosphere where poets and other wordsmiths share their words. This Chinatown literary space hosts a plethora of poetry reading year round. A place where L.A. poets, writers and others go to read.

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Santa Monica Review To Celebrate 30th Anniversary

by Grace Singh Smith

From: SMC In Focus

LEADThis year—fall 2018—marks the 30th anniversary of Santa Monica Review (SMR). The national literary arts journal published by Santa Monica College (SMC) showcases the work of established authors alongside emerging writers, with a focus on West Coast fiction and nonfiction; it happens to be the only nationally-distributed literary journal at a community college.

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The World Stage and Literary Black Los Ángeles

25532286_728380960698600_6061884366904609104_oIt begins every Wednesday at 7:30 pm. Early arrivals step to the mic, sharing a poem in progress to receive much needed feedback. Then they provide feedback to others. V. Kali, author of Hymn (World Stage Press), sits next to the donation box and front entrance and welcomes attendees as they arrive. As host, V. has been a warm presence each week for years, her long beautiful natural hair a thing of legend. As the crowd grows, the list of open mic readers expands before the feature grabs everyone’s attention. Murmurs of “mmm hmm” and “that’s right” arise from the crowd. After, it’s the community-the open mic readers’-turn at the mic. It’s their chance to bring down the house.

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Los Ángeles Literary History: Hildegarde Flanner

Note: This is the first article in an occasional series I’ll be doing, posting articles about the writers, communities and venues that make up Los Ángeles’ literary history. The first article goes back to the early days of Los Angeles and one of the first poets to call Los Angeles home for close to 40 years.

From: FacebookEncyclopædia Britannica and berkeleydailyplanet.com

PHIL MCCARDLEHildegarde Flanner, born June 3?, 1899, Indianapolis, Indiana, U.S.—died May 27, 1987, Calistoga, California, was an American poet, essayist, and playwright known for her traditional poems that conjured images of nature and the California landscape and spoke to her Fpassion for the environment.

Flanner was the youngest of three daughters born to Francis William and Mary Ellen Hockett Flanner, who brought up their children in a progressive and intellectual household with a strong appreciation for the arts. In 1912 their father committed suicide, leaving the family a large sum of money to live on. Upon graduation from high school, Flanner briefly attended Sweet Briar College in Sweet Briar, Virginia, and then moved to California, where she continued her studies at the University of California,Berkeley, beginning in 1919.

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